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Rhubarb and custard cake
 There's one seasonal ingredient in the shops at the moment which puts a very jolly spin on February: forced rhubarb. I've been buying it at the market and the supermarket (for some reason, the market produce seems rather redder) to simmer with some sugar to go with yoghurt in the mornings, and with custard at suppertime. We also spooned it over pancakes on Shrove Tuesday - I'm sure I'll be sick of it soon, but we're not there yet, so I chucked some in a cake. This recipe is based on one I found on Usenet in the mid-nineties. The original was very simple: a box of cake mix, a few handsful of rhubarb, some sugar, and some cream. This is my cake-mix-free version, which is just as quick to prepare. It's lovely and moist, has a fantastic rhubarb and custard flavour, and disappears very quickly. I don't really understand why you'd spend the extra on a boxed mix, when it only takes a minute to measure out flour, butter, milk and sugar. This also gives your inner control-freak the ability to manage exactly what goes into your cake. A bit of googling revealed that the ingredients panel on a standard box of yellow cake mix reads: Sugar, Enriched Bleached Wheat Flour (Flour, Niacin, Reduced Iron, Thiamine Mononitrate, Riboflavin, Folic Acid), Vegetable Oil Shortening (Partially Hydrogenated Soybean Oil, Propylene Glycol Mono- and Diesters Of Fats, Monoand Diglycerides), Leavening (Sodium Bicarbonate, Dicalcium Phosphate, Sodium Aluminum Phosphat E, Monocalcium Phosphate). Contains 2% Or Less Of: Wheat Starch, Salt, Dextrose, Polyglycerol Esters Of Fatty Acids, Partially Hydrogenated Soybean Oil, Cellulose Gum, Artificial Flavors, Xanthan Gum, Maltodextrin, Modified Cornstarch, Colored with (Yellow 5 Lake, Red 40 Lake).
Personally, I prefer an ingredients list that goes like this: 250g plain flour 1 heaped teaspoon baking powder ½ teaspoon salt 125g softened butter 3 eggs 180ml milk 450g caster sugar 1 teaspoon vanilla extract 4-5 stalks rhubarb 1 pint double cream Preheat the oven to 180°C (350°F). Sieve the flour into a large bowl with the baking powder and salt. Give it plenty of height, to get as much air into the flour as possible. In a separate large bowl, use an electric whisk to cream the butter and 225g of the sugar together until the mixture is pale and fluffy. Beat in the eggs, one by one, with the vanilla essence, at a high speed. Add the flour and milk a little at a time, beating as you go, until you have a velvety, light mixture. Use a spatula to spread the cake mixture over the bottom of a metal baking tin - use a non-stick one, or line with greased parchment. Mine measured 30x35 cm; if yours is smaller, that's fine, but be sure it has reasonably high sides and be aware that your cooking time may be a bit longer. Cut the rhubarb into small pieces and scatter it over the top of the mixture with the remaining sugar. Pour the cream over the whole arrangement and bake for 45 minutes. Test with a skewer, which should come out nearly clean - if it's still sticky or liquidy when you shake the tin, give the cake another ten minutes and test again. The top will be cracked and golden. This cake is good hot or cold. Labels: cake, dessert, fruit, rhubarb, sweet
Crème de mures - blackberry liqueur
 A reader from France emailed me a few weeks ago with her own recipe for Crème de Cassis: blackcurrant liqueur for making Kir with. Kir is one of my favourite apèritifs - use one measure of Crème de Cassis or Crème de Mures (the same liqueur made with blackberries rather than blackcurrants) in a glass of five measures of chilled white wine. A Kir prepared with sparkling wine is a Kir Royale, and is also blimmin' brilliant. Thank you very much, Jacqueline - and if you email me again to let me know what your surname is, I can give you a full credit for the recipe! In this part of the world, blackcurrants are hard to find and very expensive when you do get your hands on them. Blackberries, however, quite literally grow on trees at the moment, and the method and amounts you'll need for a crème de mures will be exactly the same. So if you want to make the most of this year's surprisingly good blackberry harvest, get gathering at the weekend and produce a couple of home-made bottles of crème de mures (or crème de cassis if you have a handy currant bush) to impress people with. Jacqueline says you'll need: 1.5 kg ripe blackcurrants 2 litres of red wine (NOT the absolutely cheapest plonk) Sugar Wash the blackcurrants or blackberries, place in an earthenware pot or pyrex bowl and crush with a wooden spoon. Add the red wine and leave to macerate for 48 hours. Filter, weigh the juice and add the same weight of sugar. Pour into an enamel or stainless steel saucepan (Jacqueline and I both used a Le Creuset pot) and heat to just boiling. Let it boil gently for 5 minutes, stirring with a wooden spoon from time to time. Leave to cool to about 40°C, filter and bottle. If filtered well, and bottled into sterilised bottles and well corked this will keep indefinitely. Jacqueline says that for a filter, she makes bags out of calico with loops for suspending from the legs of an upturned stool, making sure the bowl can be lifted out from between the stool legs when full! I have a Lakeland jam stand - I'm not awfully fond of it, given that these days it's a bit peely, but it does the job. Don't be tempted to hurry up the filtering process - just leave gravity to do its job. Labels: blackberries, blackcurrants, drinks, fruit, liqueurs, wine
Pimm's Fruit Cup
 Summer in the UK is a fragile, short-lived and unreliable thing (yesterday, in flaming June, we had tornadoes and hailstones), so when the sun shines and the air is balmy, especially here in Cambridge, we tend to overcompensate slightly with garden parties, great strings of barbecued sausages, silly hats, flowery frocks and that sine qua non of chi-chi English outdoor gatherings: a few jugs of Pimm's Fruit Cup. A sweet, pinkish liqueur based on gin, Pimm's is available in every off-licence and supermarket in the country; and we mix it with lemonade and what bemused foreigners interpret as a fruit salad, kick back and proceed to get completely sloshed in the sun. There's a certain class thing at work here. Shakespeare in the Park? We drink Pimm's. Wimbledon? Pimm's. May Balls? Pimm's. Opera at Glyndebourne? Pimm's. We also drink it because it's delicious, potent and tends to render pretty 20-year-old students of both genders delightfully cuddly. This fruity, aromatic, rounded cocktail base was invented by James Pimm, who ran a tavern in the City of London. He came up with the drink, based on gin with fruit, herbs and quinine, some time in the 1820s, soon finding it was so popular that he was able to produce it on a large scale to be sold to other taverns and clubs. It's been a popular summer drink ever since, although the amount of alcohol in the stuff has definitely been reduced by the company that now owns the trademark (Pimm's has in my lifetime reduced its alcohol percentage from 35% ABV to 25%). You can remedy this by adding a splash of gin to your cocktail.  Pimm's is a substance sadly missed by those who come to the university here for a year or so from overseas. When visiting friends we made at university who have since moved back to America or other Pimm's-free lands, we usually try to bring a bottle for them so we can all spend an evening reliving our glided youth. But I bear glad tidings for the overseas summer alcoholic. You can actually make the base mix for your Pimm's (which we shall now call 'fruit cup' - and indeed, Pimm's is not the only available brand; try Plymouth Fruit Cup for a rather more aromatic option, or Stone's Fruit Cup for a distinct ginger kick) out of a mixture of liqueurs you may well have in the drinks cupboard already - use 2 parts 40% gin, 2 parts red vermouth, 1 part Cointreau (or your favourite orange liqueur), 1 part sweet port and a dash of Angostura bitters. It'll be a bit stronger than the pre-bottled stuff, but it tastes very fine indeed. If you do decide to make your own fruit cup from scratch, Hendrick's gin, with its cucumbery overtones, really comes into its own here - and if you use Dubonnet for your red vermouth, you can award yourself the Queen Mother seal of approval; Dubonnet was her all-time favourite liquid. You should build your drink in a large jug by gently muddling a small handful of mint in 1 part Pimm's or home-made fruit cup, then adding 1 part lemonade and 1 part ginger ale, with a good handful of soft English summer fruits, some sliced cucumber and fresh mint bobbing about in the jug with some ice. I like raspberries frozen into ice cubes, so they float rather than sink to the bottom initially - this means that you can arrange for some raspberries to end up in everybody's glass, and the freezing makes the cell walls burst, so once the cubes have melted, the liquid at the bottom of your glass will be syrupy with raspberry juice. Borage flowers (a blue flower with a taste reminiscent of cucumber) are a traditional addition, and look lovely in the drink if you can find them. One jugful will be enough for a lovely boozy evening for two. Labels: cocktails, drinks, fruit, Pimm's
Jean-Talon market, Montreal
Chocolate fondue
 Thanks for all the kind emails - I'm still recovering from the flu and am decidedly wobbly, but a whole lot better than I was at the start of the week. Just as well, because next week I'll be in Helsinki, on the lookout for reindeer, vendace roe, rye bread and soused herrings. Cooking's been beyond me since my encounter with this horrible germ, and my tastebuds are still not giving any kind of sensible feedback to my brain - most things are still either tasteless or, oddly, extremely bitter. Happily, there's one foodstuff that even the flu can't ruin for me: chocolate. So it's out with the new fondue set. If you're making your own chocolate fondue, try dipping cantucci, those hard little Italian biscuits; dried pear, marshmallows and fresh, ripe bananas are also great. I'm not a huge fan of strawberries in any chocolatey context; they're too acid, especially out of season, to work well with chocolate. I'm aware that I'm in a minority here though - if you like strawberries dunked in chocolate, dip away. To serve four, you'll need: 250 g good quality dark chocolate 100 ml double cream 2 tablespoons Amaretto Fruits, biscuits, fresh almonds etc. to dip Hopelessly easy, this. Put your chocolate in a sealed bag and wallop the hell out of it with the end of a rolling pin, until it's reduced to little bits. Stir the chocolate bits into the cream in your fondue pot, and melt together with the cream over a low heat on the hob, stirring all the time. Transfer to a low flame on the fondue stand and stir in the Amaretto. Proceed to fight over who gets the pink marshmallows. Labels: chocolate, cream, dessert, fondue, fruit, sweet
Raspberry Eton Mess
 Raspberries are one of my favourite fruits. Not only are they great raw, in jam or baked into cakes and puddings; they freeze like a dream, so you can have a ripe, squashy taste of summer all year round. Strawberries are the fruit traditionally used in Eton Mess, but at this time of year they're very bland and prohibitively expensive. To be honest, I prefer the tart sweetness you get from raspberries anyway, so this isn't a hardship. Using defrosted frozen raspberries in this dish will leave a lovely pink swirl in the cream. If you are using fresh raspberries, crush about a quarter of them for the same effect. Eton Mess originated at Eton College in the 1930s, when something rather like it (a mixture of strawberries and bananas with whipped cream or ice cream) was sold in the school tuck shop. It's evolved into a lovely flopsome, light desert punctuated with shards of meringue, crisp and chewy all at once. In the spirit of making a very quick, easy dessert, I've used supermarket meringue nests - you can make your own if you prefer. To serve six, you'll need: 1 pint double cream 1 lb raspberries 8 meringue nests (Waitrose and Marks and Spencer carry meringue nests which are ideal for this - crunchy on the outside with a soft give in the centre) Crumble the meringues into bite-sized chunks with your hands. Whip the cream into soft peaks and fold in the raspberries and crumbled meringue. Spoon into serving bowls and decorate with a few spare raspberries (sometimes you'll find mint leaves dressing an Eton Mess - I prefer mine mint-free). Serve immediately. We ate our Eton Mess with an accompanying glass of Framboise liqueur. I'd planned to fold it into the dessert, but it was so very, very nice that a corporate decision was made among those dining to drink it instead. I think we made the right choice. Labels: cream, dessert, fruit, meringue, raspberries
Quince Jelly
 I didn't make any quince jelly last year; the quinces on the tree at my Mum's house came ripe and then dropped off while I was busy getting married and going on honeymoon. This was an ill-considered piece of timing on my part, and resulted in a year of married bliss with no quince jelly. Catastrophe. This needed putting right before we found each other weak and snappish at the lack of sugar, our marriage under intolerable, hypoglycaemic strain. Quinces are a lot like a large pear in appearance; they're also covered with a soft, furry down. They smell extremely fragrant, but they're not edible raw; a raw quince is very hard, astringent and bitter. Cooked, however, they change in character completely. They lose their golden-yellow colour and their tart taste, and become pinkish, soft and intensely scented.
When I make quince jelly, I follow Mrs Beeton's recipe. (There are only a very few of Mrs Beeton's recipes I would happily cook from, but her preserves are usually excellent, and, of course, preserving was much more important to the refrigerator-free Victorians than it is to us.) It's very simple - all you need is quinces, water and sugar. She says: INGREDIENTS - To every pint of juice allow 1 lb. of loaf sugar.
Mode - Pare and slice the quinces, and put them into a preserving-pan with sufficient water to float them. Boil them until tender, and the fruit is reduced to a pulp; strain off the clear juice, and to each pint allow the above proportion of loaf sugar. Boil the juice and sugar together for about 3/4 hour; remove all the scum as it rises, and, when the jelly appears firm when a little is poured on a plate, it is done. The residue left on the sieve will answer to make a common marmalade, for immediate use, by boiling it with 1/2 lb. of common sugar to every lb. of pulp. Time - 3 hours to boil the quinces in water; 3/4 hour to boil the jelly.
(If you prefer metric measurements, use 600ml of juice to every 450g of sugar.) Quinces are, as I mentioned above, absolutely rock-hard. I sharpened my big cook's knife until it had an edge that would put a samurai sword to shame, and started to lay about the quinces, helping the task along by imagining the faces of countless enemies on each one. (I bear grudges for decades. It provides me with excellent chopping-fuel.)
 Ripe quinces often have small brown patches inside, as in this picture (they'll get browner as they sit in your pan and the oxygen gets to them, too). Don't worry. It doesn't mean your quince is bad. My Mum, who taught me to make this, always insisted that it's important that you leave the seeds in, but I do wonder whether she's confusing quinces with citrus fruits, where the seeds are important in jam-making for the pectin, the enzyme which makes the jam gel properly. I give her the benefit of the doubt and leave them in anyway. I also deviate a little from Mrs Beeton here; I don't pare (peel) the quinces, having discovered a few years ago that it doesn't make any difference to the finished jelly; you'll want to peel them if you intend on making the marmalade (quince cheese) that she mentions, but I'm not intending on doing that; there's little enough room in my cupboards as it is.
 About twenty chopped quinces fill my two largest Le Creuset pans. I've plonked my knife and an apple between the pans so you can get an idea of scale - these pans are 26 and 28cm in diameter - this is a lot of chopped quince. The largest pan (the blue one) needs about three litres of water to fill it enough to make the quince bits bob about merrily, the orange pan about two and a half. Simmering for three hours will reduce the quince to a pulp in a gorgeously pink juice, and will scent your whole house with a honeyed, fruity perfume. 
I used to strain jellies by lining a sieve with butter muslin and balancing it precariously on top of the bowl I was straining the jelly into. This year I have seen sense and bought a proper jelly bag from Lakeland. I'm not impressed; the metal stand is coated with red plastic, but the plastic is flaking off the ring around the top as if it's got a particularly nasty skin disease. I need to be careful that none of it ends up in the jelly.
 The bowl I want to strain into is too big for the stand. It has to balance on it precariously. My hairy-handed sous chef, Mr Weasel, will need to hold it steady when I put the pulp in the bag. Quinces contain enough pectin to gel naturally, but the set you get from quince-pectin alone is quite soft. I prefer a harder set, so I use jam sugar, which comes with pectin already added. The orange pan yields five pints of juice, the blue one six. Bugger, that's a lot. I don't have enough jam jars. Today's most shocking discovery is that it's cheaper to buy Tesco Value marmalade and throw it away (31p per jar - and this is difficult, because throwing perfectly good food away makes me feel physically ill - but what do you do with six lb of jarless, cheap jam?) than it was to buy my pristine jars and lids from Lakeland (about 50p, including the lid, which has to be bought separately). Mr Weasel, craving jelly, drives to Tesco and buys six jars of sacrificial marmalade.
 After 45 minutes of simmering (with no lid), 22lb (10 kilos) of quince jelly is ready to go into the sterilised jars. This should be enough to go on crumpets, accompany and glaze roast lambs, drizzle over blue cheeses and make presents for the neighbours until next autumn. Labels: fruit, preserves, quince, sweet
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