Bouchon, Las Vegas

BouchonI have a sense that Thomas Keller, one of America’s best chefs and a man with impeccable style and taste, doesn’t really do the Vegas thing. Bouchon, his Las Vegas outpost, feels positively out of time and place in this very modern, very garish city. By hiding it in a little-travelled corner of the sprawling Venetian Casino Resort, he’s successfully made it feel private, out-of-the-way and oddly genuine in a city full of fibreglass souks serving sushi. (It really is out-of-the-way, in a corner of the Venezia tower; from the car park you will need to take two separate elevators, and if you’re approaching from the casino you will have to swallow your pride and ask for directions, because it’s near-impossible to locate otherwise.)

Bouchon is a glorious Palladian room housing a Lyonnaise bistro (or ‘bouchon’), all marble-topped tables, encaustic tiles, sweeping arched windows, a pewter bar and pristine white-aproned serving staff. The restaurant has won a number of awards, many for its breakfast, and made Anthony Bourdain spit with rage over the French fries (of all things), which he admitted were better than the ones he serves at Les Halles. It serves what is, for my money, absolutely the best breakfast you will find in the city – we made a point of walking the two and a half miles from Mandalay Bay each time we went in order to burn as many morning calories as possible before arriving.

Bread and jamBreakfast diners are given complimentary butter, jam and an epi of freshly baked bread. Bouchon’s bakery has a giant reputation, and you’re well advised to sample the pastries on offer at the top of the menu alongside the excellent bread. Pains au chocolat are a beautiful example – hundreds of impossibly fine layers of flaky croissant dough, beautifully crisp outside and meltingly tender within, coiled around a stick of bitter chocolate – just begging to be dipped in your coffee. Even that coffee is something special; Chef Keller has selected the blend of four beans from all over the world, and it’s a beautiful, dark, chocolatey roast, fantastic with those pastries.

Cheese danishWe used to live in Paris before we got married, and I haunted patisseries like Angelina, Laduree and Hédiard. I am utterly alarmed to find better pastries than were available in any of the famous Paris names in a place like Las Vegas. My favourite pastry was probably this cheese Danish – a cloud of sweetened cream cheese on the lightest, flakiest, melting-est Danish base I’ve ever encountered.

Breakfast entrées include Dr W’s favourite, the Bouchon French Toast. This is prepared bread pudding style – a tower of hot, custardy brioche, studded with jewels of cooked apple, drizzled with maple syrup and garnished with thin, thin slices of raw apple. If held at gunpoint, I couldn’t choose between the amazingly light and flavourful boudin blanc with beurre noisette and scrambled egg (the only quibble I had over a few meals at Bouchon – these eggs weren’t among the best I’ve eaten, being rather dry and hard) and the croque madame, which oozes glorious bechamel and Gruyère. That croque madame comes with the pommes frites which made Tony Bourdain enter a deep depression, and they’re very good indeed. They’re dry, crisp, fluffy inside, and hard to stop eating. But for French fry perfection in Las Vegas I recommend that you visit Stripsteak, a Michael Mina restaurant at Mandalay Bay, where the trio of duck fat fries (always served as an amuse bouche, and also available as a side dish) – one pot with paprika dusting and a barbecue sauce, one with truffles and a truffle aïoli, and one with herbs and a home-made ketchup – are far and away the best I’ve ever eaten.

Bouchon always offers a few daily specials on the blackboard. Peekytoe crab hash with onion confit, a poached egg and hollandaise was, according to the lady at the next table, ‘Perfect. Gorgeous.’ Dr W’s tomato, bacon and spinach omelette with sharp cheddar was a simple preparation presented brilliantly. And Keller’s quiches are justifiably famous – tender, moist and delicious, with a brittle, short crust.

Service here was charming and unobtrusive. On each visit, our waiters were very happy to answer questions (even rather technical ones about the sourcing of ingredients), and refilled coffee and water unobtrusively.

As you’ve probably gathered by looking at the number of dishes mentioned above, we didn’t feel much like eating breakfast anywhere else once we’d eaten our first Bouchon meal. Somehow, we didn’t manage to make it to the restaurant for an evening meal – I’m leaving supper at Bouchon as a treat for our next visit to Vegas, which is probably my favourite city for eating in the world.

Bruno’s Brasserie, Cambridge

Bruno's BrasserieUpdate, 19 February 2008
Sadly, Bruno’s is closing after this weekend, doubtless to be replaced by yet another branch of Starbucks or Subway. Thanks to Dan for the tip.

Update, 10 July 2007

A thousand apologies to Dan from the River Farm Smokery in Bottisham, who is, in fact, responsible for the very lovely smoked tomatoes mentioned below – I mistook them for the restaurant’s own. Dan – I am still having dreams about those pigeon breasts you guys provided for the beer festival. Keep up the good work!

Cambridge isn’t exactly buckling under the weight of good restaurants. It’s odd; Cambridge is an affluent city, and the university gives it a really cosmopolitan feel which just isn’t reflected in its restaurants. We groan under the weight of a million branches of Pizza Express and chains like Café Rouge and Chez Gerard, largely thanks to the enormous property prices in the city, which mean that independent restaurants are hard-pressed to afford a pitch. There are still a few happy standouts (the place I live next door to, 12 miles outside the city, is one of them; email me if you want more details). Midsummer House, with its two Michelin Stars, is a very fine restaurant in the centre of the city, although if you, like me, are mildly annoyed rather than amused by some of the twiddles, froth and frills associated with molecular gastronomy, a visit can be a pain in the wallet you might prefer not to bear. Over in Little Shelford, Sycamore House (only open from Wednesday to Saturday) is excellent – I’ll post a complete review later this year.

Bruno’s Brasserie (52 Mill Road, Cambridge, CB1 2AS, Tel: 01223 312702) has been a Cambridge standard for good French bistro food for some years now. The restaurant used to have a Michelin star, and I’ll admit to being a little hornswoggled by some of the aesthetic changes they’ve made since losing it; the food remains very good, but the linen tablecloths and napkins have gone (to be replaced by nothing at all and sad paper squares), and the restaurant has repositioned itself as a ‘restaurant and gallery’. Cambridge happens to have some good galleries, especially along King’s Parade (check out Primavera when you’re in town for some really interesting paintings, jewellery, pottery, glass and sculpture). Bruno’s is not a gallery. It’s a restaurant which displays local painters’ work, sometimes pretty weak, for sale to diners. Acres of canvas does not necessarily make up for the lack of a tablecloth, especially when the paintings are a bit…you know. Still – on to the food and the wine.

Salade LyonnaiseLinen and questionable paintings aside, I really like Bruno’s. It’s one of the few good restaurants I’ve found which can cater easily for large groups, and in the past I’ve been to events where friends have rented out half of the restaurant. Service was prompt and excellent even when there were thirty of us. This is good French food with some accents from other cuisines, so starters include this Salade Lyonnaise with a perfectly poached egg alongside more exotic dishes like the mussels in a lime and coriander broth.

The wine list is thoughtful and well-chosen, and there’s also a good cocktail list. The restaurant was very helpful with the wine when my friend celebrated a big birthday there, and allowed the pair of us to prop ourselves up at an empty table and taste a selection from the list. Three ‘palate cleansers’ are also on offer between courses: a champagne and vanilla sorbet, a very lovely passionfruit and lavender sorbet and a watermelon and vodka granita. These will cost you an extra £1.50, but they’re worth every penny.

SteakMain courses are built around really excellent cuts of meat. On previous visits I’ve enjoyed the belly pork (which is almost always on the menu). This beef fillet was cooked exactly medium rare (often a difficult task, for some reason, in British kitchens, many of which seem to only specialise in differing shades of grey). It sat on a crisp and delicate rosti, and was topped with a fierce and very tasty Roquefort butter – sometimes the restaurant also offers a foie gras butter. Those tomatoes you can see were a lovely surprise; they were smoked in the restaurant kitchen and served cold (although one of our dining companions said he would have found them much better if they’d been hot, like the rest of the dish).

Strawberry shortcakeI felt like revisiting my 1980s childhood and ordered the strawberry and almond shortcake. This was served with basil leaves and a basil coulis (basil is a lovely herb with strawberries). The fragile, friable shortbread was delicately spiked with almonds, and the strawberries were cheeringly sweet given this summer of no sunshine we’ve been having. This reminds me – if the rain does stop any time soon, ask for a table outdoors on the lovely terrace.

If you visit Bruno’s, parking on one of Mill Road’s side streets or at the Queen Anne car park on Parkside is always available. The restaurant is popular, so you should be sure to make a reservation.

Foie gras

Lunch never managed to make itself a very complicated affair on our holiday in Provence. Enid Blyton used Famous Five propaganda to imbue my childhood with the notion that food eaten outdoors always tastes best, and I’ve still not quite got over the conviction that she’s right. Happily, we were well equipped for outdoor eating, with a gorgeous terrace with parasols, two large tables and plenty of comfy chairs. Just down the hill was a shop specialising in foie gras. I think you can probably see where this is going.

The foie gras in the top picture is a mi-cuit bloc. This means the liver has been minced and seasoned, before being gently cooked. (I wasn’t able to find a whole mi-cuit liver to show you, unfortunately.) Mi-cuit foie gras is a very different product from the foie gras you can buy in jars; it’s cooked very briefly (unlike a jar, which will get a couple of hours’ cooking time) and needs to be kept in the fridge and eaten quickly. Its texture is almost buttery, and the taste is sublime, and not in the least livery. Don’t be put off by the cheaper bloc – it’s often just as good as a whole liver, especially if you’re lucky enough to find one made by one of France’s many proud, small producers. Goose foie gras is more expensive than duck, but try both – you may, like me, find that you prefer the delicate flavour of the smaller duck liver. Try drinking a good dessert wine alongside the liver.

foie grasWe ate this foie gras terrine at Bistrot Découverte in St Remy de Provence (mi-cuit again, made from small pieces of liver pressed in the restaurant’s kitchen). It was served with a sourdough bread and a dried fruit compote. You can make out the duck’s yellow fat and the fleur de sel that the chef seasoned the liver with.

When eating foie gras back at the house, we accompanied it with fresh fruit (figs and wetly ripe white peaches are fantastic with a good foie gras) and slices of toasted brioche. Be careful buying brioche for foie gras outside France – unaccountably, most of the brioche you can buy in the UK is packed with vanilla flavouring, which is just downright wrong with a delicately flavoured liver. I also enjoy foie gras with a good fruit jelly – a sharp crab apple or fragrant quince jelly work very well against the smooth creaminess of the liver.

pink peppercornsMy brother, who lives in Bordeaux, sent a foie gras to us last Christmas, accompanied by a jar of pink peppercorns (a berry, not a true pepper), which he insisted we try with the foie gras. I ground them up in my mortar and pestle and (as usual), he was right; they were brilliant with it. Pink peppercorns are hard to find in the UK outside those mixtures of white, green, black and pink pepper for transparent grinders, so I was delighted to discover a tree heavy with them in the garden we rented. We picked a few bunches and set to them with mortar and pestle. Delicious.

One-dish roast chicken, potatoes and accompaniments

Certain groceries were absurdly cheap in the markets we used in the Cote d’Azur. These two chickens, though, beautifully dressed and trimmed, with Appellation d’Origine Contrôlée labels and a lovely succulent plumpness, took the parsimonious biscuit. Each was large enough to serve four, and the special offer which gave me one free (in a lovely cardboard box) when I bought the other meant that the pair only cost €4. That’s €4 for more protein than my cats get in a week.

I decided to roast the chickens like this for a number of reasons. I was on holiday, so wanted a dish that wasn’t too fiddly, which meant I could spend some more time on the terrace drinking. They were good birds whose flavour deserved a chance to sing on its own. And this method meant that I could pile the dish high with Provençal flavours. I found some paste made from sun-dried tomatoes, garlic, capers and a very little anchovy, some roast red peppers marinated in olive oil and herbes de Provence, some nutty-tasting little new potatoes and other good things. To serve six with plenty left over, this is what I did with them :

2 chickens
5 tablespoons sundried tomato paste
8 salted anchovies
100g roast marinated red peppers, cut into strips
1kg new potatoes
750g shallots, peeled
6 bulbs (yes, whole bulbs) garlic
1 lemon
1 bottle rosé wine (I used the local Bandol, which was pretty much the only wine you could buy in the area)
150g butter
4 bay leaves
1 tablespoon herbes de Provençe
1 handful fresh chervil
1 handful fresh parsley
1 handful fresh basil
150g crème fraîche
Salt and pepper

Pull any fat out of the inside of the chickens and discard. Zest the lemons, putting the zest to one side. Chop the lemons in half and put one half in the cavity of each chicken with a bay leaf and a generous seasoning of salt and pepper.

Place the chickens in a large roasting dish, and fill the space around them with the potatoes, peeled, whole shallots, garlic bulbs (not peeled, and cut in half across the equator), the remaining bay leaves, the anchovies and peppers. The anchovies will ‘melt’ when cooked and will give a deeply savoury, but not fishy, base to the dish.

Place knobs of butter on the chickens, and scatter over the herbes de Provençe and some more salt. In a jug, whisk together the tomato paste, the lemon zest and the wine, and pour it all into the baking dish. Season and place in the oven at 180° C for two hours, basting frequently with the winey juices.

When the chickens come out of the oven, transfer them and the potatoes, shallots, garlic and peppers to a warm serving dish to rest. Chop the chervil, parsley and basil finely, and whisk them and the crème fraîche into the pan juices. Serve with a green salad and some more of the wine you used in the dish.

Ladurée, Harrods, Knightsbridge

Ladurée is one of my favourite Parisian tea-rooms. They’ve recently opened a branch in Harrods in London, their first outside France. It’s a jewel of a place, with little linked salons in the style of Napoleon III, serving excellent teas, faultlessly French light meals and some of the best patisserie you’ll find in London. These people have style coming out of their ears; Ladurée is the pastry consultant for Sophia Coppola’s film about Marie Antoinette.

My Mum and I were at Harrods for a day of Ladies’ Nice Things, and stopped off for tea and macaroons at Ladurée. Ladurée’s macaroons are what makes them so very famous: crisp discs of ground almonds with a soft middle, sandwiched together with flavoured cream. The macaroons are served festooned with raspberries, pistachio cream and other good things if you have some in the tea-rooms. I bought a large box to take home as well.

These macaroons are flavoured delicately with the highest quality ingredients. There’s a basic range which is available all year round, and some seasonal flavours. (The black one in this box was a seasonal one; liquorice, which was surprisingly subtle and tenderly flavoured.) The flavours aren’t what you’d expect – the pale pink one here is scented with rose petals, the gold one caramel with fleur de sel (sandwiched together with some of the creamiest, most delicious caramel I’ve ever eaten). At certain times of year an orange flower macaroon is available, and I had a violet and cassis one in Paris a few years ago which I still think about fondly on occasion.

Eating at the tea-rooms themselves is a lesson in luxury. Each salon is decorated in a different style; this is the Black Salon, a tiny room packed to the gills with Etruscan caryatids. Zeus, surrounded by snakes, glowers from the middle of the cupola in the ceiling. I am informed that the velvet on the seats is made from pure mohair, and I can’t think of anywhere nicer to enjoy your truffle and morel omelette.

If you visit Ladurée, ask for the violet-scented black tea. I brought a (very expensive) packet home, and it’s glorious stuff; delicately scented and laced with violet and hibiscus flowers. I’m going to have to make another visit in a month or so – I have a dreadful craving for a black truffle religieuse and a large box of marrons glacés.

Pissaladiere – French onion tart

We’re going to the Côte d’Azur later in September, where we’ve rented a big manor house with a gaggle of friends. I’m looking forward to the cooking – I’ve missed French market and supermarket produce since Dr Weasel and I left Paris to live in the UK again a few years ago.

I thought I’d cook some Provencale recipes before we leave, just so I feel properly prepared. There is nothing more Provencale than Pissaladiere.

Pissaladiere is a delicious, sharply savoury little tart made from crisp puff pastry, onions cooked until they are sweet and glossy, anchovies and olives. A traditional Pissaladiere would use a preserved fish paste called pissala rather than the anchovies. I did not have an empty Kilner jar and a few pounds of tiny salted fish, so this little tart employs some very delicious Provencale anchovies I found in Waitrose, marinaded in garlic and herbs.

To serve one person (double the recipe to serve two, but I shall be posting another tart for the other half of the puff pastry tomorrow which you might want to serve alongside this), you’ll need:

3 onions
½ sheet puff pastry from the supermarket chiller cabinet
1 large knob butter
1 teaspoon fresh thyme
Anchovies to taste
15 olives (preserved in oil, not salt)
10 salted capers, rinsed

Slice the onions thinly and saute them in the butter over a low heat until they release their sugar and turn golden and sweet (about half an hour). Don’t salt them; you’ll get all the salt you need from the other toppings.

Use a sharp knife to cut the rectangle of pastry in half. Set one half aside for tomorrow’s recipe. With the knife, score a line a centimetre from each edge of the pastry rectangle, so you end up with a smaller rectangle drawn inside it. The centimetre at the edges will be the puffy sides of the tart. Use a fork to make little holes in the inner rectangle. This will stop the part of the tart with the filling from rising.

Spread the soft, golden onions inside the inner rectangle. Lay the anchovies in a diamond pattern over them (you can slice them in half lengthways and use fewer for a less strong flavour; these particular anchovies were quite mild and mellow, so I left the fillets whole) and scatter over the thyme, capers and olives. I used a mixture of black, purple and green olives. Bake in a tray on a sheet of greaseproof paper at 200° C for 20-25 minutes, until the edges are golden and puffy, and the base is crisp.

This tart is delicious hot or cold. Try having one cold at a picnic, or making tiny Pissaladieres for a starter when you have a dinner party.

Cherry clafoutis

This clafoutis recipe is great at this time of year, when cherries are in the supermarkets in superabundance. The punnets are enormous, and several places are offering buy one get one free deals – shop around for your cherries and make sure those you buy are juicy, dark and handsome.

Clafoutis is a traditional dessert from the Limousin region of France, made with fresh fruit (usually cherries) and a thick batter. I’ve made this dish out of season using cherries preserved in kirsch. It’s very delicious that way, but I can’t help finding a clafoutis made with fresh cherries just that bit better. Don’t bother stoning your cherries; they’re a pig to stone (although there is a tool you can buy to help), and the juice from the stoned cherries leaks into the batter. Much better to have a whole cherry burst juicily in your mouth, then spit the stone out, than have it sit there damply, having leaked all its lovely juice pinkly into the rest of the dish.

Credit is due here to Mr Weasel. This is my recipe, but he cooked it because I was busy swearing at a wok full of boiling oil – of which more tomorrow.

To serve six, you’ll need:

4 oz flour
3½ oz caster sugar
6 eggs
2 drops almond essence
½ pint milk
50 cherries (or enough to cover the bottom of your pan)

Preheat the oven to 210°C.

Grease your pan. I used a tarte tatin dish, which is about 10 inches in diameter. Put enough cherries in the bottom of the dish to cover it in a single layer.

Use an electric handwhisk to beat the sugar, almond essence and eggs together. Add the flour to the bowl and drizzle the milk into the mixture, whisking all the time until you have a smooth batter. Pour the batter over the cherries in the dish, and put it in the oven for 45 minutes.

When you remove the clafoutis from the oven, it will have puffed up, a bit like a souffle. Set it aside to subside for a couple of minutes, then dish it up. Serve with cream – and remember not to bite down on the stones.

French onion soup

A friend of mine is visiting New York for work at the moment. I received an anguished message from him about a French onion soup he experienced at the Crowne Plaza off Times Square. I quote him in full, because it made me laugh.

‘The soup itself is quite nice, but is plugged by a solid lump of melted cheese that is about the diameter of a Camembert, and an inch think. We’re talking essentially an entire Camembert’s worth of American plastic cheese. I don’t mind a delicate top to the bowl, but you could have taken this out, chilled it, and made plastic cheese sandwiches for a hungry family of six.’

Poor him. (I am keeping him anonymous so he doesn’t get any death threats from Americans fond of plastic cheese.) French onion soup isn’t really that hard to get right, but not many restaurants seem to bother trying; the very worst I’ve ever had was, shamefully, in Les Halles, the old market district in Paris. Les Halles is meant to be the birthplace of French onion soup, and Le Pied au Cochon is meant to be a restaurant which specialises in the stuff. Ha. It’s rubbish. The stock’s insipid, the rubbery onions haven’t been left to caramelise, and there’s no booze in sight. The cheesey bread lid is mostly bread, and the whole leaves you with the sort of hurt feeling you get when someone you trusted has stolen your teddy bear and sold it to buy drugs. Avoid.

The cheese you use here is important, but you do have a choice open to you. You can do it the Les Halles way and use Camembert on your giant crouton, which is delicious and, when stirred into the soup, makes it creamy and cheesey and gloopy and glorious.

I consider we’ve been overdoing the soft washed-rind French cheese thing recently (I have discovered a local source of Epoisse, and that Tartiflette the other week had enough Camembert in it to keep your arteries busy for a good six months). So I went the other way with our croutons, and topped them with sweet, stringy Gruyere (actually Swiss, but who’s checking?). Gruyere has a special affinity for the sweetly Madeira-caramelised onions in this soup; try it instead of Camembert some time and see what you think.

To serve six as a starter or four as a main course, you’ll need:

3lb onions, sliced
1 small wineglass Madeira
2½ pints good beef stock or good consommé
Open-textured white bread (ciabatta or a French loaf) – 2 slices per person
1 slice Gruyere per piece of bread
3oz butter
Salt and pepper

Put the onions in a large, heavy saucepan with the butter, and simmer, stirring every twenty minutes or so, for longer than you think you should. You’re aiming to cook these to a golden, caramel unctuousness. I didn’t use a kitchen timer; I put the DVD of Ziegfeld Girl on and sang along with Judy, running to the kitchen occasionally to stir, until Lana Turner did her tragic thing with the stairs and the chaise longue at the end. (Those who are not Judy Garland fans can just set their timers for 132 minutes, but you’re missing a treat.) The onions will have cooked down to a fraction of their original volume.

When your onions are done and you have spent a quiet five minutes being surprised at how Hedy Lamarr was able to look fantastic walking down stairs with fruit on her head and invent spread-spectrum communications without turning a hair, throw the Marsala into the hot pan with the onions and let it simmer away to nothing. Add the stock or consommé, turn the heat right down and bring slowly to a simmer again.

While the soup is coming up to temperature, prepare the croutons. Toast thick slices of bread (I used a grill pan to get good dark, charred lines on each slice), lay the cheese on them and put them under the grill until the cheese starts to brown.

Serve the soup with a crouton floating on top. The soup should soak into the crisp crouton, its heat softening the cheese. Slurp the lot quickly while it’s still deliciously hot.

Tartiflette

Please do not serve this to people on diets.

Tartiflette is a dish from the Savoy region of France, where they take their dairy products very, very seriously. Despite its extreme good looks and fantastic taste, it’s not actually a traditional recipe – it was invented in the 1980s by the union of Reblochon cheesemakers as a way to popularise the cheese. Since then, it’s become popular throughout the region, and different recipes have proliferated. This is my take on it.

At heart, and as the Reblochon cheesemakers intended, this is an absurdly creamy potato gratin with a whole cheese sitting on top of it. The nutmeg and thyme in here make the cheese sing, the rich Marsala makes the cream a velvety thing of beauty, and the sweet shallots and salty, smoked bacon infuse the whole dish. Serve with a salad and some crusty bread. (The salad is there so you can pretend you’re eating healthily.)

Reblochon is hard to come by here, so I have used a Camembert. You can use any soft, washed-rinded, reasonably stinky cheese (an Epoisse would work equally well). To serve two for supper, with enough for lunch tomorrow, you’ll need:

8 potatoes (I used Vivaldi, which are firm and creamy when cooked)
3 cloves garlic, crushed
1 pint crème fraîche
12 rashers smoked streaky bacon
6 shallots
½ wine glass Marsala
1 Camembert
3 cloves garlic
1 teaspoon fresh thyme
Butter
Nutmeg
Salt and pepper

Preheat the oven to 200°C.

Chop the shallots into small dice, and cut the bacon into dice the same size. Saute in a little butter until the shallots are sweet and the bacon browning at the edges. Set aside. Peel the potatoes and slice them as thin as you can. (My new mandoline has made this the work of a couple of minutes, and I’m yet to injure myself on it, so I’m still recommending you go straight to the cookware shop and buy one. A plastic Japanese one is very inexpensive – mine was £5 – and works splendidly.) Arrange one overlapping layer of potato slices in the bottom of a heavy baking dish which you have buttered generously, then sprinkle over the thyme, a grating of nutmeg and half of the crushed garlic. Scatter over half of the bacon and shallot mixture, then spread half the crème fraîche over the top. Repeat with another layer, then put a final potato lid on the top.

Slice the cheese in half along its equator, and cut each half into quarters. Arrange the pieces on top of the dish. Pour the Marsala over the dish, dot with butter, season (don’t use too much salt – you’ll get plenty from the bacon and the salty cheese) and bake in the hot oven for an hour, or a little longer – test to make sure that the potatoes are tender. It’s advisable to put a tray under the dish to catch any drips.

This is very rich. Make sure your salad has a tart dressing to offset the extreme creaminess of it all, and dig in.

Mussels with creme fraiche – moules a la creme

There is something horribly primal about cooking mussels. I think it has to do with the elbow-grease you have to put in cleaning them and slaughtering any barnacles they might be hosting, hauling bits of their still-quivering little mussely bodies off, and the suspicion that the dead ones may not be dead, but merely pretending in the hope you’ll throw them back. (Sadly, these fakers are not smart enough to realise they’re 50 miles from the sea.)

I had some very good moules marinere in Wimereux, a town in northern France, in September. Each tiny mussel (smaller than the mussels you might buy to cook at home) had a pea crab living inside its gills (you can see a very graphic video of one found in a mussel here), which, although admittedly mildly creepy on first encounter (Gah! There is a tiny thing in my mussel), made the whole mussel experience about twenty times better, adding flavour and, dare I say it, texture. Lovely, leggy, crispy texture.

The mussels you can find at an English fishmonger will almost certainly be farmed, rope-grown mussels. This means that they’re not as gritty as wild mussels, but they’re also not as flavourful. On the other hand, though, you can really go to town with the flavours you cook them with, so it’s not a total dead loss.

Mussels straight out of the plastic fishmongers’ net are rather unprepossessing. They’re slimy, they have a straw-like, tough ‘beard’ attached (you’re going to have to remove this later, so pay attention), and they offer a home to a myriad of exciting barnacles and other little friends. Some will be open; rap them on the working surface. If they’re alive, they’ll shut. If they’re cracked or dead (or feigning in the hope that you are on a quayside somewhere), they’ll sit there, inert, daring you to look them in the eye. Bin them.

Run a sink of cold water, and drown the sad, live mussels. Give them a good scrub with a little brush, take the beards between your fingers, and yank them off. The larger the mussel, the harder you will have to yank. This beard is not, obviously, a beard, mussels having no weak chins to hide from lady mussels, but is a fibrous mass they grow to attach themselves securely to rocks (or in the case of these guys, ropes). When you pull it off, pull towards the shell’s hinge; you might tear apart the meat of the mussel pulling towards the open end, and this will kill them, prevent you from dealing them the unique, boiling-in-wine death you’re about to offer. The ones in the picture above are cleaned. They look a lot more appetising.

For this recipe, which serves two people, you will need:

2kg mussels, cleaned
1/2 a bottle white wine (I used a chenin blanc)
4 tablespoons creme fraiche
1 tablespoon fresh thyme
2 bay leaves
1 large bunch parsley
1 large bunch chives
5 shallots (or 1 large onion) chopped finely
4 cloves garlic chopped finely
1 large knob butter

Soften the shallots and garlic with the thyme and bay leaves in the melted butter over a medium heat for five minutes. Turn up the heat, then add the wine and creme fraiche. Simmer for five minutes to burn off the alcohol, and, while the wine mixture is bubbling, tip all the cleaned mussels in. Slam the lid on. The mussels, already pretty grumpy that you’ve removed a useful body part, will expire in the steam, giving their salty juices to the sauce – you don’t need to add salt yourself.

(On re-reading this, I realise it sounds positively pornographic. This is half the fun of shellfish.)

Keep the lid on for three minutes, then check the pan. Fish out as many as have opened as you can, and put them in a serving dish (I use large salad bowls – there’s a lot of shell in there). Put the lid back on and steam for three more minutes – they should now all be open. (Discard any closed ones; they were probably dead before you cooked them.) Take the mussels out, leaving the sauce in the pan. Stir the chives and parsley into the hot sauce, leave it for a minute to allow any sand or grit to settle (very unlikely, this, with rope-grown mussels) and spoon it over the open shells.

Make sure you’ve got some good bread to dip in the buttery, juicy sauce, and use your fingers to pull the satiny little mussels from their shells.

I usually end up naming some of my more recognisable mussels. Clint, the very big one with the nigh-unremovable beard, and Fifi, the teeny, beardless one with the barnacle beauty-spot, both died for my supper. It was a worthwhile sacrifice.